登陆注册
15732800000037

第37章 CIRCUS DAY(2)

"Nah, they cain't. How kin they? They'd cut their feet all to pieces.""They kin so. I seen 'em do it. The time I went with Uncle George I seen a man, a Japanee . . . . Yes, sharp. Cut paper with 'em. . . . A-a-ah, I did so. I guess I know what I seen an' what I didn't."The little boys breathe easier, but fearing another onslaught, make all haste to call attention to the most fascinating one of all, the picture of a little boy standing up on top of his daddy's head.

And, as if that weren't enough, his daddy is standing up on a horse and the horse is going round the ring lickety-split. And, as if these circumstances weren't sufficiently trying, that little show-boy is standing on only one foot. The other is stuck up in the air like five minutes to six, and he has hold of his toe with his hand. I'll bet you can't do that just as you are on the ground, let alone on your daddy's head, and him on a horse that's going like sixty. Now you just try it once. Just try it. . . . Aa-ah! Told you you couldn't.

Now, how the show-actors can do that looks very wonderful to you.

It really is very simple. I'll tell you about it. All show-actors are born double-jointed. You have only two hip-joints. They have four. And it's the same all over with them. Where you have only one joint, they have two. So, you see, the wonder isn't how they can bend themselves every which way, but how they can keep from doubling up like a foot-rule.

And another thing. Every day they rub themselves all over with snake-oil. Snakes are all limber and supple, and it stands to reason that if you take and try out their oil, which is their express essence, and then rub that into your skin, it will make you supple and limber, too. I should think garter-snakes would do all right, if you could catch enough of them, but they 're so awfully scarce. Fishworms won't do. I tried 'em. There's no grease in 'em at all. They just dry up.

And I suppose you know the reason why they stay on the horse's back. They have rosin on their feet. Did you ever stand up on a horse's back? I did. It was out to grandpap's, on old Tib. . . .

No, not very long. I didn't have any rosin on my feet. I was going to put some on, but my Uncle Jimmy said: "Hay! What you got there?" I told him. "Well," he says, "you jist mosey right into the house and put that back in the fiddle-box where you got it. Go on, now. And if I catch you foolin' with my things again, I'll . . . . Well, I don't know what I will do to you." So I put it back. Anyhow, I don't think rosin would have helped me stay on a second longer, because old Tib, with an intelligence you wouldn't have suspected in her, walked under the wagon-shed and calmly scraped me off her back.

And did you ever try to walk the tight-rope? You take the clothes-line and stretch it in the grape-arbor - better not make it too high at first - and then you take the clothes-prop for a balance-pole and go right ahead - er - er as far as you can. The real reason why you fall off so is that you don't have chalk on your shoes. Got to have lots of chalk. Then after you get used to the rope wabbling so all-fired fast, you can do it like a mice.

And while I'm about it, I might as well tell you that if you ever expect to amount to a hill of beans as a trapeze performer you must have clear-starch with oil of cloves in it to rub on your hands. Finest thing in the world. My mother wouldn't let me have any. She said she couldn't have me messing around that way, Iblame her as much as anybody that I am not now a competent performer on the trapeze.

I don't know that I had better go into details about the state of mind boys are in from the time the bills are first put up until after the circus has actually departed. I don't mean the boys that get to go to everything that comes along, and that have pennies to spend for candy, and all like that, whenever they ask for it. Imean the regular, proper, natural boys, that used to be "Back Home,"boys whose daddies tormented them with: "Well, we Il see - " that's so exasperating! - or, "I wish you wouldn't tease, when you know we can't spare the money just at present." A perfectly foolish answer, that last. They had money to fritter away at the grocery, and the butcher-shop, and the dry-goods store, but when it came to a necessity of life, such as going to the circus, they let on they couldn't afford it. A likely story.

"Only jist this little bit of a once. Aw, now, please. Please, cain't I go? Aw now, I think you might. Aw now, woncha? Aw, paw. I ain't been to a reely show for ever so long. Aw, the Scripture pammerammer, that don't count. Aw, paw. Please cain't I go? Aw, please!" And so forth and so on, with much more of the same sort. No, I can't go into details. it's too terrible.

Even those of us whose daddies said plainly and positively: "Now, I can't let you go. No, Willie. That's the end of it. You can't go." Even those, I say, hoped against hope. It simply could not be that what the human heart so ardently longed for should be denied by a loving father. This same conviction applies to other things, even when we are grown up. It is against nature and the constituted scheme of things that we cannot have what we want so badly. (And, in general, it may be said that we can have almost anything we want, if we only want it hard enough. That's the trouble with us. We don't want it hard enough.) We boys lay there in the shade and pulled the long stalks of grass and nibbled off the sweet, yellow ends, as we dramatized miracles that could happen just as well as not, if they only would, consarn 'em! For instance, you might be going along the street, not thinking of anything but how much you wanted to go to the circus, and how sorry you were because you hadn't the money, and your daddy wouldn't give you any; and first thing you 'd know, you 'd stub your toe on something, and you'd look down and there'd be a half a dollar that somebody had lost - Gee! If it would only be that way! But we knew it wouldn't, because only the other Sunday, Brother Longenecker had said: "The age of miracles is past." So we had to give up all hopes. Oh, it's terrible. Just terrible!

同类推荐
  • 香严禅师语录

    香严禅师语录

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 得道梯橙锡杖经

    得道梯橙锡杖经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 华严经文义记

    华严经文义记

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 使琉球录

    使琉球录

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 玄牝之门赋注释

    玄牝之门赋注释

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
热门推荐
  • 心如莲花静静开

    心如莲花静静开

    现代社会心理医生成为了热门的职业,心修类书籍成为了热门书籍,由此可知如今的职业男女的压力,我们每个人都生活在一种高压的生活氛围,每天的情绪不停地在发生着的变化,浮躁、怒吼,以及各种难以言表的情绪,由此,在都市中的人们都需要这样一本温暖、恬静的心灵修养之书。《心如莲花静静开》从逻辑的角度来描写心灵净化过程,读者可以跟着本书的节奏来了解自己内心的不同,参照自己的内心进行改变,这正是本书的魅力所在。加上现代人对于自己的心理健康越来越重视,更需要一本禅静的书来引导他们释放内心的压力。《心如莲花静静开》就如同一股清水冲击着每个读者的心,同时,语言之中透出一种淡淡的“佛味”,让读者能感受到温暖。
  • 元素传记

    元素传记

    元素,是这个大陆的标签。元素觉醒,发现他的过人之处,从村子到城市,从城市到全国,从全国到大陆闻名。天赋异禀的他会有怎样的故事发生呢?
  • 骷髅绝杀

    骷髅绝杀

    修罗一族的天才修罗夜遭受天雷转世异界!如此遭遇,附身超级废柴罗修之体。正所谓“筋脉堵塞,营养不良,手无缚鸡之力,先天不足”凭借残存记忆,神秘冥王决,意志觉醒残刀命魂!炼魂师?扛起修罗金身,骷髅一现霸气外泄,傲世众生,踏上世界巅峰!
  • 被男神攻略

    被男神攻略

    A大校草骆阳无聊之下开发了一款小游戏“攻略男神”上传到校内论坛,并且监控数据,看看那些花痴女搞笑的对话,借此娱乐自己,打发时间。苏小染,A大管理学院的一名学生,暗恋骆阳已久,再逛论坛的时候,无意中看到“攻略男神”这款游戏,顺手下载下来,打发自己无聊的时间。谁知道,就是这样一个顺手的动作,开启了自己未来悲惨的命运。把自己这只小白羊送入了大灰狼骆阳之口
  • 某不科学的异界旅程

    某不科学的异界旅程

    老夫装逼五十余载,从未见过如此装法在此书中,你将会学到装逼与反装逼,无形装逼,实力装逼,强行装逼等精妙炫酷的各种装逼方法当然了,话说回来,这只是一个逗逼向的同人文
  • 福妻驾到

    福妻驾到

    现代饭店彪悍老板娘魂穿古代。不分是非的极品婆婆?三年未归生死不明的丈夫?心狠手辣的阴毒亲戚?贪婪而好色的地主老财?吃上顿没下顿的贫困宭境?不怕不怕,神仙相助,一技在手,天下我有!且看现代张悦娘,如何身带福气玩转古代,开面馆、收小弟、左纳财富,右傍美男,共绘幸福生活大好蓝图!!!!快本新书《天媒地聘》已经上架开始销售,只要3.99元即可将整本书抱回家,你还等什么哪,赶紧点击下面的直通车,享受乐乐精心为您准备的美食盛宴吧!)
  • 天亟

    天亟

    那年少时薄衣衫,曾想仗剑走江湖。待到亲逝友尽仁义散,却只想将这天地万物杀一空。学武一生到底是为何?是为了建功立业,名扬天下。还是追求那虚无缥缈的“破碎虚空”?世事难料,黑白难分。天下公理正义自有旁人评说。野史记载:大良永祥十三年深秋。公子“世离”。离家乡。入江湖。
  • 重生之富商弃后

    重生之富商弃后

    肖琳想着重生之路真悲催,被皇上欺骗感情被太后利用也就算了,自己的清白也被不知道哪里来的鬼骗取了。当真是差点失心又失身,还好那个刺客大哥一边嫌弃她一边护着她。好好好!当不成皇后她就当奸商,坑蒙拐骗不服来战!谁叫她是奉命“坑钱”的,想告她找皇上去!
  • 溺宠,丫头你往哪逃

    溺宠,丫头你往哪逃

    她无意之中救了一个命悬一线的男人,他本想等着她长大再开始自己的行动,不想她已经有了自己相爱的人,并且一次次的忽视他,忘记他,这让他怎么甘心,终于忍无可忍,一手毁了她苦苦坚持的幸福,将她囚于身边,她恼过,哭过,逃过,然而冥冥之中也许已经注定。
  • 通鉴问疑

    通鉴问疑

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。