From the first, they played amateur comedy at Malmaison, which was a relaxation the First Consul enjoyed greatly, but in which he took no part himself except that of looker-on. Every one in the house attended these representations; and I must confess we felt perhaps even more pleasure than others in seeing thus travestied on the stage those in whose service we were.
The Malmaison Troupe, if I may thus style actors of such exalted social rank, consisted principally of Eugene, Jerome, Lauriston, de Bourrienne, Isabey, de Leroy, Didelot, Mademoiselle Hortense, Madame Caroline Murat, and the two Mademoiselles Auguie, one of whom afterwards married Marshal Ney, --[Michel Ney, Styled by Napoleon the "bravest of the brave," was born 1769, at Sarre-Louis (now in Prussia), son of a cooper.
Entered the army as a private 1787, adjutant-general 1794, general of brigade 1796, general of division 1799, marshal 1804, Duke of Elchingen 1805, Prince of Moskwa 1812, and commanded the rear-guard in the famous retreat from Russia. On the return from Elba he went over to Napoleon; was at Waterloo. Was afterwards taken, and in spite of the terms of the surrender of Paris was tried for treason, and shot in the gardens of the Luxembourg, Dec. 8, 1815.--TRANS.]--
and the other M. de Broc. All four were very young and charming, and few theaters in Paris could show four actresses as pretty. In addition to which, they showed much grace in their acting, and played their parts with real talent; and were as natural on the stage as in the saloon, where they bore themselves with exquisite grace and refinement. At first the repertoire contained little variety, though the pieces were generally well selected. The first representation which I attended was the "Barber of Seville " in which Isabey played the role of Figaro, and Mademoiselle Hortense that of Rosine--and the "Spiteful Lover." Another time I saw played the "Unexpected Wager," and "False Consultations." Hortense and Eugene played this last piece perfectly; and I still recall that, in the role of Madame le Blanc, Hortense appeared prettier than ever in the character of an old woman, Eugene representing Le Noir, and Lauriston the charlatan. The First Consul, as I have said, confined himself to the role of spectator; but he seemed to take in these fireside plays, so to speak, the greatest pleasure, laughed and applauded heartily, though sometimes he also criticised.
Madame Bonaparte was also highly entertained; and even if she could not always boast of the successful acting of her children, "the chiefs of the troupe," it sufficed her that it was an agreeable relaxation to her husband, and seemed to give him pleasure; for her constant study was to contribute to the happiness of the great man who had united her destiny with his own.
When the day for the presentation of a play had been appointed, there was never any postponement, but often a change of the play; not because of the indisposition, or fit of the blues, of an actress (as often happens in the theaters of Paris), but for more serious reasons. It sometimes happened that M. d'Etieulette received orders to rejoin his regiment, or an important mission was confided to Count Almaviva, though Figaro and Rosine always remained at their posts; and the desire of pleasing the First Consul was, besides, so general among all those who surrounded him, that the substitutes did their best in the absence of the principals, and the play never failed for want of an actor.
--[Michau, of the Comedic Francaise, was the instructor of the troupe. Wherever it happened that an actor was wanting in animation, Michau would exclaim. "Warmth! Warmth! Warmth!"
--Note by CONSTANT.]--
