MISCELLANEOUS-HISTORICAL.
Happier is our Professor, and more purely scientific and historic, when he reaches the Middle Ages in Europe, and down to the end of the Seventeenth Century; the true era of extravagance in Costume. It is here that the Antiquary and Student of Modes comes upon his richest harvest. Fantastic garbs, beggaring all fancy of a Teniers or a Callot, succeed each other, like monster devouring monster in a Dream. The whole too in brief authentic strokes, and touched not seldom with that breath of genius which makes even old raiment live. Indeed, so learned, precise, graphical, and every way interesting have we found these Chapters, that it may be thrown out as a pertinent question for parties concerned, Whether or not a good English Translation thereof might henceforth be profitably incorporated with Mr. Merrick's valuable Work _On Ancient Armor_? Take, by way of example, the following sketch; as authority for which Paulinus's _Zeitkurzende Lust_ (ii. 678) is, with seeming confidence, referred to:
"Did we behold the German fashionable dress of the Fifteenth Century, we might smile; as perhaps those bygone Germans, were they to rise again, and see our haberdashery, would cross themselves, and invoke the Virgin. But happily no bygone German, or man, rises again; thus the Present is not needlessly trammelled with the Past; and only grows out of it, like a Tree, whose roots are not intertangled with its branches, but lie peaceably underground. Nay it is very mournful, yet not useless, to see and know, how the Greatest and Dearest, in a short while, would find his place quite filled up here, and no room for him; the very Napoleon, the very Byron, in some seven years, has become obsolete, and were now a foreigner to his Europe. Thus is the Law of Progress secured; and in Clothes, as in all other external things whatsoever, no fashion will continue.
"Of the military classes in those old times, whose buff-belts, complicated chains and gorgets, huge churn-boots, and other riding and fighting gear have been bepainted in modern Romance, till the whole has acquired somewhat of a sign-post character,--I shall here say nothing: the civil and pacific classes, less touched upon, are wonderful enough for us.
"Rich men, I find, have _Teusinke_ [a perhaps untranslatable article]; also a silver girdle, whereat hang little bells; so that when a man walks, it is with continual jingling. Some few, of musical turn, have a whole chime of bells (_Glockenspiel_) fastened there; which, especially in sudden whirls, and the other accidents of walking, has a grateful effect. Observe too how fond they are of peaks, and Gothic-arch intersections. The male world wears peaked caps, an ell long, which hang bobbing over the side (_schief_): their shoes are peaked in front, also to the length of an ell, and laced on the side with tags; even the wooden shoes have their ell-long noses: some also clap bells on the peak. Further, according to my authority, the men have breeches without seat (_ohne Gesass_): these they fasten peakwise to their shirts; and the long round doublet must overlap them.
