The first, without being moved, or without getting angry, make themselves sufficiently felt; they have matter enough of laughter throughout, they need not tickle themselves; the others have need of foreign assistance; as they have the less wit they must have the more body; they mount on horseback, because they are not able to stand on their own legs. As in our balls, those mean fellows who teach to dance, not being able to represent the presence and dignity of our noblesse, are fain to put themselves forward with dangerous jumping, and other strange motions and tumblers tricks; and the ladies are less put to it in dance; where there are various coupees, changes, and quick motions of body, than in some other of a more sedate kind, where they are only to move a natural pace, and to represent their ordinary grace and presence. And so I have seen good drolls, when in their own everyday clothes, and with the same face they always wear, give us all the pleasure of their art, when their apprentices, not yet arrived at such a pitch of perfection, are fain to meal their faces, put themselves into ridiculous disguises, and make a hundred grotesque faces to give us whereat to laugh. This conception of mine is nowhere more demonstrable than in comparing the AEneid with Orlando Furioso; of which we see the first, by dint of wing, flying in a brave and lofty place, and always following his point: the latter, fluttering and hopping from tale to tale, as from branch to branch, not daring to trust his wings but in very short flights, and perching at every turn, lest his breath and strength should fail .
"Excursusque breves tentat."
[And he attempts short excursions."--Virgil, Georgics, iv. 194.]
These, then, as to this sort of subjects, are the authors that best please me.
As to what concerns my other reading, that mixes a little more profit with the pleasure, and whence I learn how to marshal my opinions and conditions, the books that serve me to this purpose are Plutarch, since he has been translated into French, and Seneca. Both of these have this notable convenience suited to my humour, that the knowledge I there seek is discoursed in loose pieces, that do not require from me any trouble of reading long, of which I am incapable. Such are the minor works of the first and the epistles of the latter, which are the best and most profiting of all their writings. 'Tis no great attempt to take one of them in hand, and I give over at pleasure; for they have no sequence or dependence upon one another. These authors, for the most part, concur in useful and true opinions; and there is this parallel betwixt them, that fortune brought them into the world about the same century: they were both tutors to two Roman emperors: both sought out from foreign countries: both rich and both great men. Their instruction is the cream of philosophy, and delivered after a plain and pertinent manner.
Plutarch is more uniform and constant; Seneca more various and waving: the last toiled and bent his whole strength to fortify virtue against weakness, fear, and vicious appetites; the other seems more to slight their power, and to disdain to alter his pace and to stand upon his guard. Plutarch's opinions are Platonic, gentle, and accommodated to civil society; those of the other are Stoical and Epicurean, more remote from the common use, but, in my opinion, more individually commodious and more firm. Seneca seems to lean a little to the tyranny of the emperors of his time, and only seems; for I take it for certain that he speaks against his judgment when he condemns the action of the generous murderers of Caesar. Plutarch is frank throughout: Seneca abounds with brisk touches and sallies; Plutarch with things that warm and move you more; this contents and pays you better: he guides us, the other pushes us on.
