登陆注册
15677000000118

第118章

There is no action or imagination of mine wherein I do not miss him; as I know that he would have missed me: for as he surpassed me by infinite degrees in virtue and all other accomplishments, so he also did in the duties of friendship:

"Quis desiderio sit pudor, aut modus Tam cari capitis?"

["What shame can there, or measure, in lamenting so dear a friend?"--Horace, Ode, i. 24, I.]

"O misero frater adempte mihi!

Omnia tecum una perierunt gaudia nostra, Quae tuus in vita dulcis alebat amor.

Tu mea, tu moriens fregisti commoda, frater;

Tecum una tota est nostra sepulta anima Cujus ego interitu tota de menthe fugavi Haec studia, atque omnes delicias animi.

Alloquar? audiero nunquam tua verba loquentem?

Nunquam ego te, vita frater amabilior Aspiciam posthac; at certe semper amabo;"

["O brother, taken from me miserable! with thee, all our joys have vanished, those joys which, in thy life, thy dear love nourished.

Dying, thou, my brother, hast destroyed all my happiness. My whole soul is buried with thee. Through whose death I have banished from my mind these studies, and all the delights of the mind. Shall I address thee? I shall never hear thy voice. Never shall I behold thee hereafter. O brother, dearer to me than life. Nought remains, but assuredly I shall ever love thee."--Catullus, lxviii. 20; lxv.]

But let us hear a boy of sixteen speak:--[In Cotton's translation the work referred to is "those Memoirs upon the famous edict of January," of which mention has already been made in the present edition. The edition of 1580, however, and the Variorum edition of 1872-1900, indicate no particular work; but the edition of 158o has it "this boy of eighteen years"(which was the age at which La Boetie wrote his "Servitude Volontaire"), speaks of "a boy of sixteen" as occurring only in the common editions, and it would seem tolerably clear that this more important work was, in fact, the production to which Montaigne refers, and that the proper reading of the text should be "sixteen years." What "this boy spoke" is not given by Montaigne, for the reason stated in the next following paragraph.

"Because I have found that that work has been since brought out, and with a mischievous design, by those who aim at disturbing and changing the condition of our government, without troubling themselves to think whether they are likely to improve it: and because they have mixed up his work with some of their own performance, I have refrained from inserting it here. But that the memory of the author may not be injured, nor suffer with such as could not come near-hand to be acquainted with his principles, I here give them to understand, that it was written by him in his boyhood, and that by way of exercise only, as a common theme that has been hackneyed by a thousand writers. I make no question but that he himself believed what he wrote, being so conscientious that he would not so much as lie in jest: and I moreover know, that could it have been in his own choice, he had rather have been born at Venice, than at Sarlac; and with reason. But he had another maxim sovereignty imprinted in his soul, very religiously to obey and submit to the laws under which he was born. There never was a better citizen, more affectionate to his country; nor a greater enemy to all the commotions and innovations of his time: so that he would much rather have employed his talent to the extinguishing of those civil flames, than have added any fuel to them; he had a mind fashioned to the model of better ages. Now, in exchange of this serious piece, I will present you with another of a more gay and frolic air, from the same hand, and written at the same age."

同类推荐
热门推荐
  • 入埃及记

    入埃及记

    交错的时空下,她遇到了她的前世,亦或者是她就是她。从小就是孤儿的文物贩子,多玛妮在完成任务时触动了时间之轴,与古埃及的祭司合二为一。拉美西斯。阿索斯。巴图。相似的人纠缠于她的生命轨迹,霸道的他,邪魅的他,年少的他。一心想要通过第一先知回到现代,却是一场徒劳,越是挣扎就越是陷入不可自拔的爱情中。我在历史之外看你,你在历史之中,等我。PS:我不是神,给不了你要的感觉欲知详情,且听我娓娓道来
  • 极品校草之入赘男校

    极品校草之入赘男校

    她是安氏风云千金,为寻找最初的恋人,不惜易容来到圣雅。她费尽心机来到他身边,一场车祸夺取了她的记忆。龅牙妹空降圣雅,于他是阴谋还是巧合?安氏千金,龅牙小妹。苏讨厌,夜哥哥,谁才是她的真命天子。不知道?没关系。她再次易容,重回圣雅,掀起一阵校草风波。校花你不喜欢,那校草呢?
  • 修仙缘纪

    修仙缘纪

    早已不是热血少年,莫名与仙结缘的大叔,该如何沉浮于这茫茫修仙世界?
  • 陪你走到世界尽头

    陪你走到世界尽头

    结婚数月,他说要修身养性,便是对她几个月的不闻不问。其实她知道,他哪里是为了修佛,其实只是不想碰她罢了。可笑的是,她爱他,却偏偏挪不动白檀儿这座大山,越不过他心中的大佛。有一种爱,初尝时,执着。上了瘾,成毒。戒不掉,为爱成魔。--情节虚构,请勿模仿
  • 在历史的拐点上:世纪伟人邓小平的智慧和胆识

    在历史的拐点上:世纪伟人邓小平的智慧和胆识

    一代伟人邓小平是新中国第一代中央领导集体的重要成员,第二代领导集体的核心,改革开放的总设计师。值此纪念邓小平南方谈话20周年之际,本书选择邓小平波澜壮阔的一生中所经历的重大事件,以最新的认识视角记述历史的真实,追思这位世纪老人对中国革命和建设的丰功伟绩,景仰一代领袖的雄才大略,再次领悟一代伟人的智谋和胆识。
  • 上古世纪之第一传说

    上古世纪之第一传说

    今天,新大陆的种族都铭记、缅怀两千年前原大陆的那段岁月、那些传说!但在浩瀚而神奇的原大陆上,震撼天地的传说又何止于此!在万年以前,诸神俱在,原大陆上万族林立,群雄并起,那是一个繁荣与动乱、黑暗与光明、血与荣耀一起迸发的时代!在无数传奇英雄和神灵光辉的交织中,有一个名字盖过了所有的光芒,他傲立于万古之巅,成为了原大陆有史以来的至高存在、第一传说!
  • 阿丝地狱

    阿丝地狱

    十四个人,离奇地出现在阿丝山谷中的一辆客车上。漆黑的雨夜,塌方让他们弃车而逃,山崖上的鼓声将他们引至一处漆黑的小楼内。翌日,少妇房中出现腐烂的尸体,许多已死去多时的人,如同有约般朝着小楼逼近,并在小楼前再次倒地毙命。黑袍的巫师唱起远古的歌谣,慑魂的鼓声再度响起。小楼前的尸体神奇地复活,并在黑袍巫师的带领下,消失在群山之中。十四人中的警察秦歌追踪尸队,意外地发现隐匿在深山中的小镇。在那里,他们发现自己其实都已经是死人……
  • 拯救主角

    拯救主角

    桃花流水三千尺,主角拉屎我递纸,一群不靠谱的神灵创造了一堆不靠谱的世界。主角拯救世界,我来拯救主角,于是作为一个配角,专职打补丁,帮主角填坑,帮主角泡妞,兼职主角的白胡子老爷爷,这真是个悲伤的故事。
  • 虚空之幽灵

    虚空之幽灵

    一柄神奇激光剑,一个射击神准的枪手,在经历了人生的低谷之后,似乎回到了人生的巅峰,但在看似平静的银河中,却隐藏一种不为人知的力量,一种所有人都想得到的东西……本文,感谢冬瓜和雪酿给予名字的上支持
  • 茅山小道都市生活

    茅山小道都市生活

    “人分好人坏人,尸分僵尸死尸。”“尸怎么能变成僵尸呢?”“对啊,人怎么变成坏人呢?”“人变成坏人是因为他不争气,尸变成僵尸是因为他多了一口气。”“所以我说,,做人要争气,人死了最要紧要断气,如果不断气就会害人害己”易志最喜欢的就是林正英的僵尸片,时常梦想自己就是一个茅山道人,当他真正成为一个茅山道人,才发现原来世界这样精彩。(新书求包养啊!)