登陆注册
15487500000059

第59章 CHAPTER XVII. ADVENTURE AND ENTERPRISE.(2)

This was certainly an unpropitious trial trip for the vessel that had so ambitiously sought dominion over the air, and the next trial, which was embarked upon a fortnight later, Sunday, October 18th, was hardly less unfortunate. Again the ascent was from the Champ de Mars, and the send-off lacked nothing in the way of splendour and circumstance. The Emperor was present, for two hours an interested observer of the proceedings; the King of Greece also attended, and even entered the car, while another famous spectator was the popular Meyerbeer. "The Giant" first gave a preliminary demonstration of his power by taking up, for a cable's length, a living freight of some thirty individuals, and then, at 5.10 p.m., started on its second free voyage, with nine souls on board, among them again being a lady, in the person of Madame Nadar.

For nearly twenty-four hours no tidings of the voyage were forthcoming, when a telegram was received stating that the balloon had passed over Compiegne, more than seventy miles from Paris, at 8.30 on the previous evening, and that Nadar had dropped the simple message, "All goes well!" A later telegram the same evening stated that the balloon had at midnight on Sunday passed the Belgian frontier over Erquelines, where the Custom House officials had challenged the travellers without receiving an answer.

But eight-and-forty hours since the start went by without further news, and excitement in Paris grew intense. When the news came at last it was from Bremen, to say that Nadar's balloon had descended at Eystrup, Hanover, with five of the passengers injured, three seriously. These three were M.

Nadar, his wife, and M. St. Felix. M. Nadar, in communicating this intelligence, added, "We owe our lives to the courage of Jules Godard." The following signed testimony of M. Louis Godard is forthcoming, and as it refers to an occasion which is among the most thrilling in aerial adventure, it may well be given without abridgment. It is here transcribed almost literatim from Mr. H. Turner's valuable work, "Astra Castra."

"The Giant," after passing Lisle, proceeded in the direction of Belgium, where a fresh current, coming from the Channel, drove it over the marshes of Holland. It was there that M. Louis Godard proposed to descend to await the break of day, in order to recognise the situation and again to depart. It was one in the morning, the night was dark, but the weather calm.

Unfortunately, this advice, supported by long experience, was not listened to. "The Giant" went on its way, and then Louis Godard no longer considered himself responsible for the consequences of the voyage.

The balloon coasted the Zuyder Zee, and then entered Hanover.

The sun began to appear, drying the netting and sides of the balloon, wet from its passage through the clouds, and produced a dilatation which elevated the aeronauts to 15,000 feet. At eight o'clock the wind, blowing suddenly from the west, drove the balloon in a right line towards the North Sea. It was necessary, at all hazards, to effect a descent. This was a perilous affair, as the wind was blowing with extreme violence. The brothers Godard assisted, by M. Gabriel, opened the valve and got out the anchors; but, unfortunately, the horizontal progress of the balloon augmented from second to second. The first obstacle which the anchors encountered was a tree; it was instantly uprooted, and dragged along to a second obstacle, a house, whose roof was carried off. At this moment the two cables of the anchors were broken without the voyagers being aware of it. Foreseeing the successive shocks that were about to ensue--the moment was critical--the least forgetfulness might cause death. To add to the difficulty, the balloon's inclined position did not permit of operating the valve, except on the hoop.

At the request of his brother, Jules Godard attempted the difficult work of climbing to this hoop, and, in spite of his known agility, he was obliged several times to renew the effort. Alone, and not being able to detach the cord, M. Louis Godard begged M. Yon to join his brother on the hoop. The two made themselves masters of the rope, which they passed to Louis Godard. The latter secured it firmly, in spite of the shocks he received. A violent impact shook the car and M. de St.

Felix became entangled under the car as it was ploughing the ground. It was impossible to render him any assistance; notwithstanding, Jules Godard, stimulated by his brother, leapt out to attempt mooring the balloon to the trees by means of the ropes. M. Montgolfier, entangled in the same manner, was re-seated in time and saved by Louis Godard.

At this moment others leapt out and escaped with a few contusions. The car, dragged along by the balloon, broke trees more than half a yard in diameter and overthrew everything that opposed it.

Louis Godard made M. Yon leap out of the car to assist Madame Nadar; but a terrible shock threw out MM. Nadar, Louis Godard, and Montgolfier, the two first against the ground, the third into the water. Madame Nadar, in spite of the efforts of the voyagers, remained the last, and found herself squeezed between the ground and the car, which had fallen upon her. More than twenty minutes elapsed before it was possible to disentangle her, in spite of the most vigorous efforts on the part of everyone. It was at this moment the balloon burst and, like a furious monster, destroyed everything around it. Immediately afterwards they ran to the assistance of M. de St. Felix, who had been left behind, and whose face was one ghastly wound, and covered with blood and mire. He had an arm broken, his chest grazed and bruised.

After this accident, though a creditable future lay in store for "The Giant," its monstrous and unwieldy car was condemned, and presently removed to the Crystal Palace, where it was daily visited by large crowds.

同类推荐
  • 脉诀刊误

    脉诀刊误

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 县笥琐探摘抄

    县笥琐探摘抄

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • A Discourse of Coin and Coinage

    A Discourse of Coin and Coinage

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 唯识三十论要释

    唯识三十论要释

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 诗说

    诗说

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
热门推荐
  • 魔杀无相

    魔杀无相

    百世还生者,魔君,返生于世,魔杀,无相也!
  • 众生为我主之道法自然

    众生为我主之道法自然

    世界分阴阳,万物有生死,生命不是永恒的主题,死亡不是最终的归宿,有些生灵追求永生,有些生灵却向往死亡,生与死对立,却又相互依存,没有永恒的生,也没有永恒的死,哪里才是终点?且看道法自然,寻求最终极的答案……
  • 旷世奇缘之将军与妓

    旷世奇缘之将军与妓

    他说:我是将军,你是妓,别妄想走进我的心里!她说:你是将军,我是妓,只愿来世与你相聚!将军与妓,爱恨长融于酒,只待莫空成回忆!
  • 一念缘起,一念情灭

    一念缘起,一念情灭

    “喻宸,你说我们的爱情,还会像原来的那样,无忧无虑吗?我们的爱情还禁得起现实里的大风大浪吗?”——释博嫣“现在的我们什么都变了,回不去了,对吧。但是我不想放弃你,哪怕,世界末日。”——喻宸“你说这些,又有什么用。喻宸,我累了,或许,我们曾经的山盟海誓总是美好地回响在耳边,可这终究抵不过现实,而现在的我只想寻觅一份恬淡的生活罢了。”——释博嫣
  • 天尊说阿育王譬喻经

    天尊说阿育王譬喻经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 神武者之天错

    神武者之天错

    武者等级:武师、武君、武宗、武王、武皇、武帝、武圣、武尊、武祖。武者元力不同分为。金、木、水、火、土、雷、寒七系。拥有特殊能力的武者:元素武者、鬼武者、灵武者本书在写作的过程中出现点问题,所以闲人重开一本《绝世神武者》故事主线内容修炼体系均不变,有些细节需要调整,虽然闲人文化不高,文笔不好,但是会努力写出一个精彩的故事,有兴趣的朋友可以点击作者,选择《绝世神武者》,觉得不错帮忙收藏,推荐
  • 数码宝贝之跨越时空的战役

    数码宝贝之跨越时空的战役

    6500万年前,在太阳的伴星复仇星上,诞生了一个恶魔,妄图占领太阳系以及周边空间。来自河外星系的神秘空间的创世神降临于地球,在地月系展开决战。纷纷扰扰的战争,同时,也在8000年前出现了,传说中的众神器与特别领域的王者云集。时至现代,那个恶魔再次苏醒,同时发现了人类发达的通讯设备而加大了DigimonWorld的存在感,决定进攻数码宝贝世界。同时被选召的孩子再一次承担起拯救现实世界和数码世界的责任。多方势力介入,使这场战役扑朔迷离,继承着创世神意志的孩子也加入其中,开始了新的征程。本文是数码兽大冒险02续,与数码兽大冒险tri无任何关系,主线为CP武嘉
  • 所以:我跟男神结婚了

    所以:我跟男神结婚了

    一觉醒来,杨顺伊发现自己车祸失忆了!明明昨天还是一个刚刚过完十八岁生日的逗逼少女,怎么摇身一变成为了新锐电影明星?过去的八年到底发生了什么?怎么就让一个自卑胆怯的平凡少女变成了娱乐圈的话题女王?从小暗恋的长腿男神,怎么就成为了自己的正牌老公?霸占屏幕的全民男神是自己的倾慕者?微博上每天数以万计的黑粉每天恶意揣测自己!生活完全曝光在镁光灯之下,吃个饭都要上头条?我的天呀?谁来告诉她,这失忆的八年,到底发生了什么?
  • 染色青春

    染色青春

    她,夏楚沫。是鱼缸里无忧无虑的鱼儿,无忧无虑却并非自由自在。当学业,事业,友情,爱情,亲情交融,她的抉择是什么?
  • 史前系统

    史前系统

    一台史前外星科技留下的机器启动,它的任务是进行人类进化评估。地球就是外星智慧生命的观测场,每一次地球文明的兴替都有外星文明的影子。原本按外星智慧留下的强大机器程序设定,人类应该由华夏主导,以心学,精神凌驾于物质之上,找到一条新的发展路线。可是历史在华夏文明进入明朝时拐了一个弯,外星机器发生程序错误,造成一批各时空智者的乱入,直接导致明朝灭亡,满清兴起。更间接令欧洲发展,工业革命,科支文明代替了华夏文明。历经百年时间,外星机器才修复完成了一部份,重新启动,它的任务令它想要修复上一个错误,结果造成新一轮的时空乱入,将张三丰和一些历史比较有名的武者,智者,带到了这个时代……