Beyond sparring and cricket, I do not recollect I learned anything useful at Slaughter-House School, where I was educated (according to an old family tradition, which sends particular generations of gentlemen to particular schools in the kingdom; and such is the force of habit, that though I hate the place, I shall send my own son thither too, should I marry any day). I say I learned little that was useful at Slaughter House, and nothing that was ornamental.
I would as soon have thought of learning to dance as of learning to climb chimneys. Up to the age of seventeen, as I have shown, I had a great contempt for the female race, and when age brought with it warmer and juster sentiments, where was I?--I could no more dance nor prattle to a young girl than a young bear could. I have seen the ugliest little low-bred wretches carrying off young and lovely creatures, twirling with them in waltzes, whispering between their glossy curls in quadrilles, simpering with perfect equanimity, and cutting pas in that abominable "cavalier seul," until my soul grew sick with fury. In a word, I determined to learn to dance.
But such things are hard to be acquired late in life, when the bones and the habits of a man are formed. Look at a man in a hunting-field who has not been taught to ride as a boy. All the pluck and courage in the world will not make the man of him that I am, or as any man who has had the advantages of early education in the field.
In the same way with dancing. Though I went to work with immense energy, both in Brewer Street, Golden Square (with an advertising fellow), and afterwards with old Coulon at Paris, I never was able to be EASY in dancing; and though little Coulon instructed me in a smile, it was a cursed forced one, that looked like the grin of a person in extreme agony. I once caught sight of it in a glass, and have hardly ever smiled since.
Most young men about London have gone through that strange secret ordeal of the dancing-school. I am given to understand that young snobs from attorneys' offices, banks, shops, and the like, make not the least mystery of their proceedings in the saltatory line, but trip gayly, with pumps in hand, to some dancing-place about Soho, waltz and quadrille it with Miss Greengrocer or Miss Butcher, and fancy they have had rather a pleasant evening. There is one house in Dover Street, where, behind a dirty curtain, such figures may be seen hopping every night, to a perpetual fiddling; and I have stood sometimes wondering in the street, with about six blackguard boys wondering too, at the strange contortions of the figures jumping up and down to the mysterious squeaking of the kit. Have they no shame ces gens? are such degrading initiations to be held in public? No, the snob may, but the man of refined mind never can submit to show himself in public laboring at the apprenticeship of this most absurd art. It is owing, perhaps, to this modesty, and the fact that I had no sisters at home, that I have never thoroughly been able to dance; for though I always arrive at the end of a quadrille (and thank heaven for it too!) and though, I believe, I make no mistake in particular, yet I solemnly confess I have never been able thoroughly to comprehend the mysteries of it, or what I have been about from the beginning to the end of the dance. I always look at the lady opposite, and do as she does: if SHE did not know how to dance, par hasard, it would be all up. But if they can't do anything else, women can dance: let us give them that praise at least.
In London, then, for a considerable time, I used to get up at eight o'clock in the morning, and pass an hour alone with Mr. Wilkinson, of the Theatres Royal, in Golden Square;--an hour alone. It was "one, two, three; one, two, three--now jump--right foot more out, Mr. Smith; and if you COULD try and look a little more cheerful; your partner, sir, would like you hall the better." Wilkinson called me Smith, for the fact is, I did not tell him my real name, nor (thank heaven!) does he know it to this day.
I never breathed a word of my doings to any soul among my friends; once a pack of them met me in the strange neighborhood, when, I am ashamed to say, I muttered something about a "little French milliner," and walked off, looking as knowing as I could.
In Paris, two Cambridge-men and myself, who happened to be staying at a boarding-house together, agreed to go to Coulon, a little creature of four feet high with a pigtail. His room was hung round with glasses. He made us take off our coats, and dance each before a mirror. Once he was standing before us playing on his kit the sight of the little master and the pupil was so supremely ridiculous, that I burst into a yell of laughter, which so offended the old man that he walked away abruptly, and begged me not to repeat my visits.
Nor did I. I was just getting into waltzing then, but determined to drop waltzing, and content myself with quadrilling for the rest of my days.
This was all very well in France and England; but in Germany what was I to do? What did Hercules do when Omphale captivated him?
What did Rinaldo do when Armida fixed upon him her twinkling eyes?
Nay, to cut all historical instances short, by going at once to the earliest, what did Adam do when Eve tempted him? He yielded and became her slave; and so I do heartily trust every honest man will yield until the end of the world--he has no heart who will not.
When I was in Germany, I say, I began to learn to WALTZ. The reader from this will no doubt expect that some new love-adventures befell me--nor will his gentle heart be disappointed. Two deep and tremendous incidents occurred which shall be notified on the present occasion.
