She stretched out her hand to open it, but, strange to say, she missed the knob! Then she was sure that it was farther on; she felt along the wall, but still it eluded her grasp. It was unheard of--no handle and not a door even to be found! The wall was bare and smooth, and papered the entire length. A slight shudder crept over the courageous little woman's heart, and she could not explain to herself what it all meant. She called her maid, but no answer--not a sound interrupted the stillness! "I will go down to the duchess,"murmured Thusnelda; "perhaps she is awake, and then I can re-light my taper!"The door was fastened; the duchess had locked the ante-room to-night for the first time.
Thusnelda tapped lightly, and begged an entrance humbly and imploringly. No answer, every thing was quiet. She recalled that the duchess had told her that she was very weary, and would sleep as soon as she was alone, which she undoubtedly had done.
Thusnelda did not presume to awake her by knocking louder. She would be patient, and mount again to her room. Surely she must have made a mistake, and turned to the left of the corridor, where there was no door, instead of the right, as she ought to have done. It must be that it was her fault. She groped along the dark flights of stairs to the upper gallery, carefully seeking the right this time, but in vain. Again she felt only the smooth wall. Terrified, she knew not whether she was awake or dreaming, or whether she might not be in an enchanted castle, or walking in her sleep in a strange house. Just here she ought to find her room and the maid awaiting her, but it was lonely, deserted, and strange--no door, no maid. Thusnelda, with trembling hands smoothed her face, pulled first her nose, and then her hair, to identify herself. "Is it I?" she said. "Am I, indeed, myself? Am I awake? I know that I am lady of honor to the Duchess Amelia, and that upon the upper story is my room. Do not be foolish, and imagine that witchcraft comes to pass; the door is there, and it can be found." Thusnelda renewed her search with out-spread arms and wide-spread fingers, feeling first this side of the wall and then the other.
By daylight the deformed little lady of honor must have been a very droll figure, in full toilet, dancing along the wall as if suspended by her outstretched hands. Oh, it was quite vain to seek any longer.
It must be enchantment, and the door had disappeared. An indefinable dream crept over Thusnelda, and she was cast down. For the first time a jest failed her trembling lips, and she wept with anguish.
Yes, she, the keen, mordant, jesting little woman, prayed and implored her Maker to unloose her from the enchantment, and permit her to find the long-sought-for entrance. But praying was in vain, the door was not to be found, it was witch craft, and she must submit to it. The rustling and moving her arms frightened her now, and when she walked the darkness prevented her seeing if any one followed her; so she crouched upon the floor, yielding to the unavoidable necessity passing the night there--the night of enchantment and witchery.[Footnote: See Lewes' "Life and Writings of Goethe," vol. 1., p. 408.]
Not alone for Fraulein Goechhausen was this beautiful May-night of sad experience with witches. There were other places at Weimar. In the neighborhood of the ducal park, in the midst of green-meadows, stood a simple little cottage. Near it flowed the Ilm, spanned by three bridges, all closed by gates, so that no one could reach the cottage without the occupant's consent. It was as secure as a fortress or an island of the sea, and distinctly visible even in the night, its white walls rising against the dark perspective of the park. This is the poet's Eldorado, his paradise, presented to Wolfgang Goethe by his friend the Duke Charles Augustus. It was late as the possessor wound his way toward his Tusculum, as he familiarly called it, and, more attracted by the aspect of the heavens than by sleep, sought the balcony, to gaze at the dark mass of clouds chasing each other like armies in retreat and pursuit; one moment veiling the moon, at another revealing her full disk, and soon again covering the earth with dark shadows, until the lightning flashed down in snaky windings, making the darkness momentarily visible with her lurid glare. It was a glorious spectacle for the intuitive, sympathetic soul of the poet, and he yielded to its influence with delight. He heard the voice of God in the rolling of the thunder, and sought to comprehend the unutterable, and understand it in this poetical sense. Voices spake to him in the rushing of the storm, the sighing of the trees, and the rustling of the foliage. The storm passed quickly, a profound quiet and solemnity spread out over the nightly world, and it lay as if in repose, smiling in blissful dreams. The air was filled with perfumes, wafted to the balcony upon which dreamed the poet with unclosed eyelids and waking thoughts.
The clouds were all dispersed; full and clear was suspended the moon in the deep, blue vault, where twinkled thousands of stars, whispering of unknown worlds, and the mysteries of Nature, and the greatness of Him who created them all.
"Oh, beloved, golden moon, how calmly you look down upon me, sublime and lovely at the same time! When I gaze at you, moving so quietly, floating in infinity, and contemplating reflect thyself in finiteness, I think of you, oh Charlotte, who stands above me like the moon so bright and mild, and I envelop myself in your rays, and my spirit becomes heavenly in your light.
Mir ist es, denk ich nur an Dich, Als in den Mond zu seh'n, Ein suesser Friede weht um mich, Weiss nicht, wie mir gescheh'n!
