登陆注册
14723100000042

第42章

THE METAMORPHOSES OF CAPITAL AND THEIR CIRCUITSTHE THREE FORMULAS OF THE CIRCUITThe three formulas may be set down in the following manner, using Tc for "total circulation process":

I. M---C ... P ... C'---M'

II. P ... Tc ... P

III. Tc ... P (C')

If we combine all three forms, all premises of the process appear as its result, as a premise produced by it itself. Every element appears as a point of departure, of transit, and of return. The total process presents itself as the unity of the processes of production and circulation. The process of production becomes the mediator of the process of circulation and vice versa.

All three circuits have the following in common: The self-expansion of value s the determining purpose, as the compelling motive. In I this is expressed in its form. Formula II begins with P, the very process of creating surplus-value. In III the circuit begins with the self-expanded value, even if the movement is repeated on the same scale.

As C---M means M---C for the buyer, and M---C means C---M for the seller, the circulation of capital presents only the ordinary metamorphosis of commodities, and the laws evolved with regard to it (Buch I, Kap. III, 2) [English edition: Ch. III, 2. -- Ed. ] on the mass of money in circulation are valid here. However, if we do not cling to this formal aspect but rather consider the actual connection between the metamorphoses of the various individual capitals, in other words, if we study the connection between the circuits of individual capitals as partial movements of the process of reproduction of the total social capital, then the mere change of form of money and commodities cannot explain the connection.

In a constantly revolving circle every point is simultaneously a point of departure and a point of return. If we interrupt the rotation, not every point of departure is a point of return. Thus we have seen that not only does every individual circuit presuppose ( implicite ) the others, but also that the repetition of the circuit in one form comprises the performance of the circuit in the other forms. The entire difference thus appears to be a merely formal one, or as a merely subjective distinction existing solely for the observer.

Since every one of these circuits is considered a special form of this movement in which various individual industrial capitals are engaged, this difference exists only as an individual one. But in reality every individual industrial capital is present simultaneously in all three circuits.

These three circuits, the forms of reproduction assumed by the three forms of capital, are made continuously side by side. For instance, one part of the capital-value, which now performs the function of commodity-capital, is transformed into money-capital, but at the same time another part leaves the process of production and enters the circulation as a new commodity-capital.

The circuit form C' ... C' is thus continuously described; and so are the other two forms. The reproduction of capital in each one of its forms and stages is just as continuous as the metamorphosis of these forms and the successive passage through the three stages. The entire circuit is thus a unity of its three forms.

We assumed in our analysis that capital-value in its entire magnitude acts as money-capital, productive-capital or commodity-capital. For instance, we had those £422 first entirely as money-capital, then we transformed them wholly into productive capital, and finally into commodity-capital, into yarn of the value of £500 (containing £78 worth of surplus-value).

Here the various stages are just so many interruptions. So long as, e.g., those £422 retain their money-form, that is to say, until the purchases M---C (L plus MP) are made, the entire capital exists and functions only as money-capital. As soon as it is transformed into productive capital, it performs neither the function of money-capital nor of commodity-capital.

Its entire process of circulation is interrupted, as soon as it functions in one of its two circulation stages, either as M or as C'. Consequently, the circuit P ... P would represent not only a periodical renewal of the productive capital but also the interruption of its function, the process of production, up to the time when the process of circulation is completed.

Instead of proceeding continuously, production would take place in jerks and would be renewed only in periods of accidental duration, according to whether the two stages of the process of circulation are got through with quickly or slowly. This would apply for instance to a Chinese artisan who works only for private customers and whose process of production ceases until he receives a new order.

This is indeed true of every single part of capital that is in motion, and all parts of capital go through this motion in succession.

Suppose that the 10,000 lbs. of yarn are the weekly product of some spinner.

These 10,000 lbs. of yarn leave the sphere of production entirely and enter the sphere of circulation; the capital-value contained in it must all be converted into money-capital, and so long as this value continues in the form of money-capital it cannot enter anew into the process of production.

It must first go into circulation and be reconverted into the elements of productive capital, L plus MP. The circuit-describing process of capital means constant interruption, the leaving of one stage and the entering into the next, the discarding of one form and the assuming of another.

Each one of these stages not only presupposes the next but also excludes it.

But continuity is the characteristic mark of capitalist production, necessitated y its technical basis, although not always absolutely attainable.

同类推荐
  • 桂林风土记

    桂林风土记

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 远志斋词衷

    远志斋词衷

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 灵信经旨

    灵信经旨

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • Euthyphro

    Euthyphro

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • Gargantua and Pantagruel

    Gargantua and Pantagruel

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
热门推荐
  • 白色眷恋

    白色眷恋

    因为不满皇马6比2的比分,中国青年律师沈星怒砸啤酒瓶,结果电光火石间,他穿越成了佛罗伦蒂诺的儿子,且看来自09年的小伙子如何玩转03年的欧洲足坛
  • 借借满天星的爱

    借借满天星的爱

    15岁,她认识了他。他说:“你手中的花叫满天星。”16岁,他离开了她;他说:“墨墨,我会把每年开的最美的樱花拍给你看。”而那年,她又结识了他。他看着她喜欢的满天星,低低呢喃:“这花也配你,清淡可爱”。18岁,他咆哮着对她说:“不要叫我哥哥,我不是你哥哥!”22岁,她重逢到他;他说:“这是我的未婚妻。”但那个女孩不是她。终于有一天,他说:“周子末,原来,我真的可以不当你哥哥。”生命中,谁是谁的主角,谁又是谁的配角。她觉得自己是一株满天星,在他和他玫瑰的生命中永远只能作为配角绽放。但她只想开出自己的灿烂,不管不顾,哪怕只是作为配角的满天星,也要做最真,最美,最纯,最瑰丽的那一朵。又有谁能说,满天星的爱,只能是配角之爱呢。~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~群号:100677308开新坑啦,讲述机器人的故事《编号NEO7,说你爱我》http://novel.hongxiu.com/a/292127/喜欢的话多支持哦~~~~~~
  • 三千世界:桜天国

    三千世界:桜天国

    宇宙为母,世界为子,大千世界,分为三千,终为三石。拥有无限力量的她,成为了人类最古老时代至现在的八畏主之一的“武冢主”,做为武斗派的至尊,她身穿淡白色和衣,腰间别着一把雪白色利刃,迷发长垂腰间,活了数千年,她是唯一能佩上这个尊称的人,她作为开始,将要成为最终。
  • 与诗人对话

    与诗人对话

    一名真正的作家、学者在我的心里是神圣的、崇高的,那种敬意用我平实的文章是难以言表的。或许在准诗人的眼里,网络诗歌也许算不上真正的诗歌,但就这样不成熟的诗歌在网络里却有自己的流行的速度和市场。它不讲究诗歌的倾向,只为了心灵和心灵的碰撞,这就是诗人心理情绪的发泄,或许就是真情实感自然流露的那种。虽然大多数的诗歌写得很不正规,但一定是真实心情的表达,正如当年席慕容和汪国真的白话诗,那时候每个青年都喜欢,现代人都喜欢用这种简单的诗文抒发自己的情感。而网络诗歌实质的效应,说到家就是它的实用性和交谊性。
  • 年年有条小鲤鱼

    年年有条小鲤鱼

    年泡泡是一条享年250岁的小鲤精,毕生梦想——跳龙门,于是她为了成全自己的梦想,毁掉了所有人的梦想。
  • 四叶草的小宇宙

    四叶草的小宇宙

    这本小说的主人公是un1中弟弟团的饶子豪和已经出道的张天玥。这本小说主要写了首富欧阳芊羽,白星墨和un1两位成员之间的校园爱情故事
  • 三教偶拈

    三教偶拈

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 深海夜未眠

    深海夜未眠

    女生都有公主梦,有的女生真的是公主,可有的女孩只有普通…我们很多人早早的就开始谈恋爱,在并不知道爱是什么的时候就已经开始厌倦,然后做着公主梦,看遍了各种言情小说,幻想着自己就是那女主人公,可是一到了现实生活中才发现自己原来什么都不是。度过了叛逆期,青春期,自己把自己糟蹋的一塌糊涂的时后才彻底醒悟。可之后呢?之后的生活会比之前好吗?“苏薇,我喜欢你,跟我在一起吧!”他把苏薇堵在了校门口,可苏薇并不喜欢他,但却还是答应了他,“嗯?好啊!”……“苏薇,你变了!”“人哪有不变的?”其实我想说你也变了,可是我又不想说,好纠结!“你变得冷血了!”是吗?一个普通女孩写的一个普通却又不普通的故事……
  • 临川

    临川

    庄周梦蝶,十年恍惚之后,记忆中惟有一袭红衣。
  • 与弗洛伊德相约在微博:欲望的,太欲望的

    与弗洛伊德相约在微博:欲望的,太欲望的

    弗洛伊德创造了用精神分析来治疗精神病的方法:同时他系统地论述了人的个性结构学说,将人类面对欲望所产生的一系列焦虑、压抑进行深刻剖析,提出了焦虑的防御、阉割情绪、抑制和升华等解决人格发展困境的方法,对于人类不断完善自我有不可替代的作用。弗洛伊德的精神分析等理论无疑是现代思想的一座巍然耸立的里程碑,不仅对二十世纪初的西方思想文化影响极深,同时更为我们认识自我、剖析自我、提升自我提供了前瞻性知识。生活在21世纪的我们,需要的是从他浩瀚的精神世界中汲取营养,得到人格及心灵的提升。